Original press release source:

Tickets can be purchased – ticket sales end on 2/6.  No tickets will be sold on-site.  Use the promotional code “PFUNK” and receive a $25 discount on any ticket price before Noon PST, Sunday, 2/3/13.

Oxfam America to present Rock and Roll Hall of Famer with Vanguard Award at Los Angeles Brunch & Benefit Concert

Los Angeles, CA (January 31, 2013) – Funk legend and Rock and Roll Hall of Famer George Clinton will be honored Saturday, February 9, 2013, with the Vanguard Award by global NGO Oxfam America at the 5th annual MojaMoja Pre-Grammy Brunch and Benefit Concert presented by 89.9 KCRW. Performances include a special DJ set tribute to Clinton by KCRW’s Garth Trinidad and an international line-up of artists such as Fink, Adrian Younge presents the Delfonics featuring William Hart, Yuna, Chicano Batman and Chloe Flower. All of the artists are donating their time to perform at the benefit concert and brunch to raise awareness and funds for Oxfam America and partner The Darfur Stoves Project. The event is scheduled from 11:00 a.m. – 2:00 p.m., at the W Hollywood in Los Angeles, California. Tickets are available to the public and can be purchased exclusively online at:

More than 250 funk fans and key influencers are expected to pay tribute to the 71 years young American singer, songwriter, bandleader, music producer and principal architect of P-Funk. Clinton is known by many alter egos like Sir Nose D’VoidofFunk and Dr. Funkenstein. However, in 2012, the psychedelic maestro received an honorary doctorate from the Berklee College of Music becoming a real doctor. “Oxfam America is honored to present Dr. George Clinton with the 2013 Vanguard Award at the MojaMoja Brunch and Benefit Concert. George’s musical genius has inspired artists around the world and helped to break creative boundaries in all kinds of art for nearly half a century,” says Bob Ferguson, Oxfam America’s Manager of Creative Alliances & Music Outreach.

Ten years ago this year was the start of the conflict and humanitarian emergency in Darfur, Sudan. Armed conflict in Darfur has uprooted more than 2.5 million people. During the past decade Oxfam is working with Sudanese partners to provide clean water, agricultural support, tree seedlings, small business trainings, grants for people living in and around the crowded camps and fuel-efficient stoves. A portion of all tickets sales from the brunch will support the production of these stoves. Dr. George Clinton pauses for just one day during his busy East Coast tour, flying from Boston to Los Angeles to accept the honor and help raise awareness for Oxfam America. “It’s an obligation and opportunity to be associated with a campaign that promotes ways to end global hunger,” says Dr. Clinton. “I salute Oxfam America’s tireless efforts to save lives around the world during the past 40 years. I’m honored to be a part of the MojaMoja Brunch and I’ll be calling on all P-Funk fans to support the Darfur Stoves Project.”

“Other artists on the MojaMoja Brunch line-up like The Delfonics are heavily sampled, and so their music catalog is still highly profitable,” added Dr. Clinton. “We want to make sure they are being paid.” As a result, in addition to his support of Oxfam America, Dr. Clinton is spearheading a social justice campaign to raise awareness of how other artists are having their works stolen via copyright fraud. Clinton is using his celebrity and to bring attention to this cause. On Sunday, February 10th, the funk icon and his band Parliament–Funkadelic (P-Funk All Stars) will resume their non-stop 2013 tour. Visit: for concert dates.


*Media wishing to gain access to this event or schedule on-site interviews with George Clinton, other talent or Oxfam America can contact Diaris Alexander 510-761-5205 and e-mail requests to:


Visionary funk musician, producer and Rock and Roll Hall of Fame inductee George Clinton was born in 1941, and has under his belt a non-stop 55-year music career. He got his start in music in 1955, forming a doo-wop quartet known as The Parliaments. In 1959, the group released its first single “Poor Willie.” The Parliaments recorded a string of Motown sounding singles throughout the 1960s, finally hitting #1 in 1967 with, “I Wanna Testify.”

In 1969, he took the backing band for the Parliaments and formed another group called Funkadelic, which created the foundation of Clinton’s heavy funk sound. In 1970, Clinton shortened the name of The Parliaments to Parliament. The two groups – Parliament and Funkadelic – dominated the R&B and Pop charts throughout the 1970s with monster albums like Mothership Connection and One Nation Under A Groove. The groups toured relentlessly under the combined banner “P-Funk.” Clinton continued to produce numerous spin-off P-Funk acts across multiple record labels, including James Brown alumni and bassist Bootsy Collins. In 1983, Clinton began a solo career for Capitol Records and followed up by producing the Red Hot Chili Peppers’ second album, Freaky Styley. Clinton’s P-Funk body of work has hugely impacted Hip- Hop, and nearly all modern forms of popular music. Many of Hip Hop’s most successful artists have sampled his work and he’s collaborated with highly influential rappers Ice Cube, Dr. Dre, Snoop Dogg, Big Boi and too many others to list.

In 1998 George Clinton established Mother’s Hip Connection Education in Tallahassee, Florida. The non-profit organization’s mission is to improve the educational environment while promoting lifelong learning through music. In 2012, during his 70th year, Clinton was granted an honorary doctorate by the Berklee College of Music. The Septuagenarian rock star also broke ground at the Smithsonian’s National Museum of African American History and Culture, where he donated his legendary stage prop “The Mothership” to the museum. Clinton continues to tour in 2013 and produce new music. He encourages fans to visit and subscribe to his YouTube channel and see for themselves just how strong his funk is after 55 years of music making. Visit:


A portion of the proceeds will benefit Oxfam America, a global organization working to right the wrongs of poverty, hunger, and injustice. Oxfam saves lives, develops long-term solutions to poverty, and campaigns for social change. As one of 17 members of the international Oxfam confederation, Oxfam America works with people in more than 90 countries to create lasting solutions.

The Darfur Stoves Project was founded to improve the safety and livelihoods of women by providing fuel-efficient stoves; which reduce firewood requirements, limit women’s exposure to violence during firewood collection and decrease the use of money and food rations to obtain fuel. The Darfur Stoves Project is the first initiative of the non-profit organization Potential Energy. For half the world’s population, a clean cookstove means one less day of struggling to find enough wood to survive. It means increased safety, better health, less harm to the environment, a higher income, more time and increased employment. Learn more at: and


MOJAMOJA curates experiences that connect people through music and culture. A global community of emerging and established creatives, brands & influencers, is the online destination to discover events and trends in international pop and alternative music and culture. Award- winning 89.9 KCRW radio host and music industry thought leader, Garth Trinidad is the co-creator and curator behind the venture that produces an annual Pre-Grammy brunch and benefit concert in Los Angeles and events for brands around the world.

RIP Scott Taylor



After A long stay at Bayview hospital our friend, P Funk Horn Player Scott Taylor passed away today.
Please keep him and his family in your prayers

George Clinton Fights for His Rights – George Clinton Appeal

Statement from George Clinton via

Original statement appears here:

Official wire news via Yahoo! News:

George Clinton talks with Mixdown Magazine

George Clinton talks with Australia’s Mixdown Magazine about the 2013 Australia P-Funk Tour and more.

Originally posted at:


George Clin­ton & Par­lia­ment Funkadelic will be bring­ing their 22-piece Galac­tic Cir­cus extrav­a­ganza to Aus­tralia March 2013.

March 7 – Metrop­o­lis, Fre­man­tle WA
March 8 – The Hi Fi, Syd­ney NSW
March 9 – Bill­board, Mel­bourne VIC
March 9–11 – Golden Plains Lucky Seven, Mered­ith VIC



It’s impos­si­ble to imag­ine how the course of musi­cal his­tory would have tran­spired if it weren’t for George Clin­ton. Cer­ti­fi­ably one of the all-time greats, Clin­ton stands as one of the most influ­en­tial fig­ures in rock his­tory, lead­ing the charge with his land­mark out­fits Par­lia­ment and Funkadelic (Clinton’s col­lec­tive oeu­vre is labelled with the umbrella term P-Funk). P-Funk enjoyed a mas­sive resur­gence in the early ‘90s with the boom of west coast G-Funk rap, with Clinton’s work form­ing many foun­da­tions in the form of sam­ples. These days, George Clin­ton &Par­lia­ment Funkadelic still tour exten­sively, spread­ing forth the good word of P-Funk to new gen­er­a­tions, while fea­tur­ing inter­gen­er­a­tional per­son­nel within their exten­sive ranks. Ahead of his return to Aus­tralia, an eru­dite Clin­ton recounts his per­pet­ual bat­tles with copy­right issues, his hunger for new music, and the last­ing P-Funk legacy.

Do you think the social mes­sages you were get­ting across in the late ‘60s, early ‘70s are still applic­a­ble today?

Pretty much the same. Those things are still rel­e­vant – free your mind and your ass will fol­low – I think there’s a resur­gence of peo­ple find­ing out about what we were talk­ing about. A lot of what we said was through dance music, and peo­ple just danced to it, but now they’re begin­ning to relate to the things that we said. In the late ‘60s, early ‘70s when Funkadelic were doing rock stuff, with a lot of social mes­sages – like ‘Mag­got Brain’. But in the ‘70s they related to the danc­ing at first. But now they’re relat­ing to what was said – ‘Think, It Ain’t Ille­gal Yet’, ‘Funken­t­elechy’, ‘Three Blind Mice’ – all the stuff we was talkin’ about back then.

What keeps you moti­vated at this stage?

We like doing what we do. That’s the main thing that makes it easy for us to do it. Every­body loves what they do.

How do you view your cur­rent audi­ence?

Our shows have always been like a cir­cus. The grand­par­ents will go, the par­ents will go, and the kids will go.  We have enough his­tory and enough styles of music that every­body relates to us in some kind of way. They don’t mind see­ing their par­ents’ heroes, or their kids’ heroes. We kind of get around that, which is hard to do because kids hate their par­ents’ stars and vice-versa. Kids don’t like their older broth­ers’ and sis­ters’ heroes. But I think with hip-hop hav­ing so much P-Funk DNA, a lot of the younger gen­er­a­tion trans­fer to us kind of easy. It’s for three gen­er­a­tions, all the way from 75 to 80 year-olds, to 12, 13 year-olds.

You’ve obvi­ously influ­enced hip-hop, but do you see Funkadelic as being an influ­en­tial rock out­fit?

To some extent, yes. You get groups like Chili Pep­pers, Janes Addic­tion. You can hear P-Funk in them.

You’re obvi­ously in tune with what is hap­pen­ing in the con­tem­po­rary music world.

I search YouTube to find what’s cookin’ for the most part. There’s a small clique of peo­ple putting it out, and they’ve got the power. So you have to find alter­na­tive ways to find new shit or to get new shit played, to get peo­ple to hear your new shit. I think YouTube is prob­a­bly the rich­est with that right now.

What are your thoughts on the inter­net being an out­let for musi­cians?

Well I feel more com­fort­able with the inter­net being an alter­na­tive to reg­u­lar record com­pa­nies because record com­pa­nies weren’t doing any­thing for artists any­way. Now you at least have a chance of get­ting stuff out there when you want to, and you’re get­ting paid. If you only sell a few, you still make more money than what you were get­ting from the record companies.

Do you wish that you were start­ing your music career in this cli­mate, rather than bat­tling through the music indus­try since the ‘60s?

I’m fight­ing for the rights to my stuff right now, but I’m glad we’re sur­viv­ing and we’re still around to fight for the rights to our stuff, or to at least put in motion. We’ve been to con­gress, to sen­a­tors, to record com­pa­nies. Espe­cially now with the new copy­right law tak­ing effect next year, for the first time in a long time – since 1978. That’s get­ting ready to be tested. Record com­pa­nies don’t want to abide by the law. I’m glad to still be around to watch it change.

Your shows often go for longer than two hours, and you’re still tour­ing exten­sively. Where do you get the energy?

Funk got Via­gra in it. You’re ready to be hard. We got the energy, the peo­ple give it back. It makes it so easy to do when the peo­ple are part of the show.

The rich Par­lia­ment mythol­ogy – Starchild, Sir Nose D’Voidoffunk – I can’t help think it’s fer­tile ground for a Broad­way pro­duc­tion or fea­ture film.

We’re work­ing towards that right now. A P-Funk show, a play. And a movie of the Starchild, Sir Nose, Mr Wig­gles, Dr Funken­stein, Clones, the Moth­er­ship. There will be a movie some­where along the line.

Do you think P-Funk will be eter­nal?

I don’t think it will stop. It will just be dif­fer­ent. There’s a group called Drugs that’s a part of it right now, one called 420. Mem­bers have their off­shoots, but there will always be some P-Funk, some Funkadelic around.

This will be the first time in a long while that the full P-Funk live expe­ri­ence will be in Aus­tralia. What can we expect?

Every­thing. We’ll be doing every­thing up there.


Red Bull #CultureClash Brings out DMX, Pusha T, Too Short, B-Real and George “P-Funk” Clinton of Parliament Funkadelic

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George Clinton performing Parliament’s “One Nation Under a Groove,” with the Jeffree’s crew

On Wednesday night (December 5th) Red Bull held up their reputation for going above and beyond what’s deemed normal for a musical concert or event.

With multiple EDM/trap derived beat making acts facing off in head to head beat battles, in what they call the “Culture Clash,” SMOG, Friends of Friends, Dim Mak and Jeffree’s battled it out for the crowds approval in Los Angeles, with SMOG winning in the end.

While SMOG came out on top, the night was highlighted by a plethora of guest appearances famed rap acts with the addition of funk music legend George “P Funk” Clinton, ringleader of Parliament Funkadelic.

Friends of Friends brought out Pusha T as he performed the G.O.O.D. Music hit song “Mercy.” Shortly thereafter Dim Mak brought out DMX who went through several of his hits including several songs from Flesh of My Flesh, Blood of My Blood mulit-platinum album.

SMOG then hosted B-Real from Cypress Hill on their stage as he performed his group’s hit “How I Could Just Kill a Man.”
Too Short also came out performed “Blow the Whistle” with SMOG which was only topped by George Clinton performing Parliament’s “One Nation Under a Groove,” with Jeffree’s.

George Clinton at The Stax Academy

Original story at

MEMPHIS, Tenn. (AP) – Funk music king George Clinton is scheduled to speak at a conference geared toward bringing access to music education to students in underserved communities.

The Stax Music Academy is hosting the Berklee City Music Network’s conference in Memphis, set to run Monday through Wednesday.

The event brings together experts who will speak to young people about getting an education in music. Clinton, a member of the bands Parliament and Funkadelic, will host a free, open-to-the-public master class with the Stax Music Academy ensemble on Monday night.

Berklee City Music Network provides contemporary music education to 4th- through 12th-graders in underserved communities at 37 sites, including the Stax Music Academy.

The academy provides an after-school music education program at the site of the former Stax Records.

CBC Radio documentary – Funkadelic: Funk Getting Ready To Roll

Funk Gets Ready To Roll

A forgotten chapter of Toronto music history becomes an hour-long audio documentary as Funk Getting Ready To Roll airs Sunday August 12 on CBC Radio’s Inside The Music. The documentary tells the story of Rock And Roll Hall Of Fame inductee George Clinton, his crew and their home base in Hogtown during the early 70s just before they hit big by mid-decade.
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Smithsonian Museum acquires Parliament-Funkadelic Mothership

Smithsonian Museum acquires Parliament-Funkadelic Mothership

The Smithsonian’s National Museum of African American History and Culture have acquired The Mothership, the iconic stage prop made famous by George Clinton’s legendary funk collective Parliament-Funkadelic in their live shows. The ship, which has been donated by Clinton, will help anchor a permanent music exhibition when the museum opens in Washington, D.C in 2015.
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George Clinton Fights For His Right To Funk

Funk pioneer George Clinton is on a mission to win back the rights to some of his best-known work from the 1970s and ’80s. It’s a situation many artists have found themselves in — partly because of the complicated copyright laws that govern their work.
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Library of Congress’s National Recording Registry adds new picks

Keep your eyes peeled for the Mothership on Wednesday.

That’s when Parliament’s legendary 1975 funk album “Mothership Connection” is cleared for landing on the Library of Congress’s National Recording Registry, a collection of recordings deemed “culturally, historically or aesthetically significant.”
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